Several years back when the Rays made it to
the World Series….they handed out cowbells. That's when that's when you kind of second
guess your career. There's only so much you can do when 30,000
people are all hitting cowbells. The sounds inside a stadium can be unpredictable. But parked outside every major sports event,
in a semi truck full of broadcast tv workers, There’s an audio engineer tasked with bringing
those sounds into your living room. They’re called “A1” mixers. And they’re hired by the network that’s
broadcasting the game. Basically the easiest way to describe what
it is I do is everything you hear at home in the broadcast
I'm responsible for, other than commercials. That means they mix the music, the announcers,
sound effects, interviews… But it also means this, and this, and this. If you just went and looked at a World Series
game from you know, 1980 and then you looked at like last year's World
Series it would be painfully obvious. That takes a lot of work. To capture the ambience of the space, they
point stereo microphones into the crowd. But we don’t want to just be placed among
the crowd, we want to hear the sounds of the game itself. And that requires microphones near the action
to capture what they call “field effects.” So I currently run 1 2 3 4 5 6 7 8 9 10. I run 10 on-court effects mics. If you’re sitting in the stands, you might
not hear the sound of the net. But for viewers at home, there’s a little
microphone taped right under the basket. In baseball, the key sounds are clustered
around home plate. You see all the advertising boards. But there's also two little Blue Jays logos
and in those logos are parabolic dishes and that's what I use to capture all the sounds
around home plate. Parabolic microphones use a dish to focus
sound waves from far away. For big budget games, like the World Series,
you can see those mics around home plate too, but the setup becomes much more elaborate. They put wireless mics in the bases; they
have handheld parabolics out in the foul ball territory, and they wire up the outfield wall. We actually started a couple of years ago,
burying mics in the grass and in the infield so you can hear like some guys like Max Scherzer,  they really kind of like grunt
when they release the pitch. And we also put mikes on the foul poles. Some of them are like a real thunderous
kind of cannon sound like at Fenway Park. It’s harder to capture field effects when
the players roam around a big field. you just hope that they're close to your mics. You've got a huge field with 15 guys running
… on grass. A handheld parabolic mic can do a better job
following the action. And that’s long been the standard for NFL
games. When Fox came along they they put a mike on
the umpire . and we were using that to pick up the cadence
of the quarterback and the line coming together. And that was huge. The umpire was getting run over a lot, and
to keep him from getting hurt, they moved his physical position
from being in a defensive line to being on the offensive line. Well that doesn't help me at all. Because now he's behind the quarterback. The next year, the NFL players union agreed
to let the league put microphones on certain offensive linemen. Depending on who's mixing it could be way
up in the mix. I've been called on that because it's like
candy and I love it. Those quarterback audibles are the only times
they’ll take a mic’d up player live during a game. I'm sure you've seen the games, basketball
games where we mic up players, we mic up the head coach. Those mics will never be tracked live. It goes to tape, somebody reviews it and then it gets played back later. But the effects mics can pick up angry
players too. If something's getting heated on screen I
will you know, I'll kill those mics. I want people to be able to hear but, you
know I gotta be careful. The A1 is constantly adjusting the levels
throughout the game, and not just to keep the show family friendly. A lot of people would have the thought process
that you just set up these mics and you leave them be. You don’t. I mean, you can’t. I mean you're talking 18-20,000 people screaming, you got the PA sounds. So if you just leave all these microphones up you're not going to get anything. So you're chasing the action with them with
the faders on the mixing board. The game effects in hockey come from 10
microphones taped inside the glass and the mixer will fade them up and down to follow the
play. They can get those effects to pop even more
by tweaking the EQ, or “equalization.” Most people would know it as like a car stereo. You turn up your highs, your treble, and your bass. Well in our world it's a little bit more specific
than that, we can dial into actual specific frequencies. So they'll tend to increase the high frequency
EQs and turn down the low frequency. You don't want that rumble so
you want to hear the skate blades, you want to hear the sticks, you want to hear the pucks
off glass, you want to hear them off the post. But all those efforts can be drowned out by
the A1’s arch-nemesis: the PA system in the arena. If I could find PA people and beat
them with a wooden stick sometimes I would. NBA is just it's horrific because
you know they run the PA during play.you The PA will bleed into all the mics in the
building. But the audio team is always there, battling
the noise on our behalf. You should be able to hear the announcers,
follow what they're saying. The game should be below that and you should
be able to hear everything that's going on in the game without struggling. It takes a lot of work to do that. If we do it right. If you're into sports, then you're probably already subscribed to SB Nation's channel. But if not, go check it out. They've got tons of fascinating series, including one called "Beef History", which is about why all your favorite athletes hate each other. Go check it out and subscribe at SB Nation.

Why sports sound better in your living room
Tagged on:                                                                                             

26 thoughts on “Why sports sound better in your living room

  • July 12, 2019 at 2:53 am
    Permalink

    Big thanks to the Verge for letting us use footage from a great documentary they made years ago about NFL broadcasts. Check it out here: http://bit.ly/2HYSXFN And thanks to Phil Edwards for inspiring this video with a piece he wrote for Vox.com: http://bit.ly/2I2iVs8. If you’re interested in this topic, take some time to listen to this really lovely radio documentary made by an audio engineer who works on the Olympics: http://bit.ly/2jhyzlp -joss

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Wonder when Vox is gonna go bankrupt??

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    I like hearing the PA and the music, when it’s louder than the commentary, makes you feel like you’re there

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Lmao WWE has been doing this for years

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    I don’t understand why they don’t just put mics on the umpires in baseball wouldn’t that make everything so much easier?

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Sports sound better in our living rooms because a majority of us have speakers in our living rooms. Stop over-complicating it

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    So that’s why MLB games on ESPN sound like u are the baseball.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Its opposite in Australia, When we watch it seems that it is more… quiet on TV but when ever I have been to the stadium, it is better

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    I’d rather be IN THE STADIUM than be watching it on tv. Sounds are better in person 🤷‍♂️

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    It troubles me when these videos straight up forget cricket, it's such a big sport

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    My family still has cowbells around somewhere

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Wait as a foreigner who is unfamiliar with baseball, is the “World series” only North-American?

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    put a mic in the ball (s)

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Next they would put mics in the ball

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    MIX ENGINEERS STAND UP!

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Ever been to a Nascar race

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Oh gross you guys own sb nation.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Hey so I'm a studying theatrical audio design/engineering at college and was wondering if anyone in this comment section may know someone who does this and would be willing to talk about their job. We don't get exposed to this aspect of the industry and I just want to talk to learn more about this.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    I know this has nothing to do with what they're talking about but whenever I see older games and video of people in the stands. I cant help but wonder if the same people in that event were to come back and only the ones from that event. How many would still fill the stadium and how many are gone from then. Obviously would look totally different the second time and I'm not disrespecting people that passed away, may they R.I.P. I'm honestly just curious is all and have always wondered that when watching older sport videos. Like when you see all those fans cheering or if they show a cut of a couple people in a shot. Whether they're still here with us or not. And I don't mean like 30 to 50 year gaps cause that's obvious but say like 10 years later. Idk just have always wondered this when I see older videos of games, has anyone else ever thought the same?? And again I mean no disrespect at all, I'm not thinking like that in a evil or twisted way what so ever. I'm simply just curious is all. Hopefully people understand that. And again may anyone that has passed away rest in peace an actually mean that foreal.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Andrew Stoakley. Back in the late 70s, when I worked for CCR, we did all the away games for the Blue Jays. I was the A1 and had NO assistants. Due to a limited number of inputs (and equipment and time), I'd put out commentary headsets, mount a Sony PBR330 parab on the guy wire holding up the protective fencing, a couple of EV DL42 shotguns on the low 1st and low 3rd cams (cabled mind you because the preamps in the Bosch cameras were useless), a crowd mic hanging out of the commentary booth and are VHF radio lapel on the Jay's 3rd base coach.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    From now on let's call foot ball, handball.

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    Who’s the hot chick

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    It’s a thankless job.. 😔✊🏻

    Reply
  • July 12, 2019 at 2:53 am
    Permalink

    I hope they get paid a lot this seems like a lot of effort.

    Reply

Leave a Reply

Your email address will not be published. Required fields are marked *